Having had the chance to watch some Korean traditional performances in the past, I think I am most familiar with the Samulnori.
Samulnori is a type of percussion music from Korea. A combination of the Korean words “samul” which means four objects and “nori” meaning to play; samulnori is always played with four instruments, namely the kkwaenggwari, ching, changgo, and buk, the same instruments used in pungmulnori. Each of the instruments represents different elements in nature: kkwaenggwari is thunder; ching is wind; changgo is rain; and buk is the clouds. Samulnori performances more often than not are done indoors and are tailored as a stage art. Because of the extremely complex and technically difficult patterns, it does not call for audience participation in the dancing unlike the pungmulnori.
Samulnori can be considered as a derivative of pungmulnori. In the late 70s, a group of pungmul players headed by Kim Duk Soo formed a group called SamulNori. The group is credited not only for reviving this art form in Korea but in garnering worldwide acclaim and acceptance for this Korean art, music and dance . The fusion music created by the combination of Samulnori with western music has added to the mass appeal of Samulnori.
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